Monday, September 25, 2017

Week 5: Witches and Women in Genre



Week 5: Witches and Women in Genre

This week we were asked to read Aunt Maria by Diana Wynne Jones. Aunt Maria was a stereotypical crone/witch.  Her fragility and “sweetness” was all in act,.  She is demanding, intrusive, hateful and deceitful.  She is the type of relative (and we all have one or two) that really can get on one’s nerves.  She if very manipulative by having Mig, Chris and the mom continue to stay under false pretenses.  She pretends to be disabled yet can do almost everything perfectly herself.  She is a very powerful witch and not only manipulates her family, but the entire town.  She has brainwashed all the children and the men are zombie drones.

The witches in Aunt Maria were not as stereotypical as I visualized.   I believe they were more archetypical, being part of a witch’s coven of thirteen.  They were not old, ugly and frail as you would imagine.  Some were younger, wore perfume and were nice looking.  They all were part of the hive, yet each had their own quirks.  Elaine was almost “police-like” and follow Chris like a detective.  She is loud and hearty, not frail and low-key like I would imagine.
What I thought the characters say about how culture models’ women with power was partially true.  Some people (men in particular) do believe that powerful women want to rule a “Stepford Husband/Stepford Child” world, being slaves and submissive.  Aunt Maria controlled everyone, she loved the power she had.  She was an expert at making black appear white, victims feel guilty and inflect terrible circumstances if anyone does not follow her.  Some people feel that strong, powerful women got that way by taking advantage of other people’s weaknesses. 

Monday, September 18, 2017

Week 4: Old and New Weird...Very Weird.

Week 4: Old and New Weird...Very Weird.


"Does your license plate mean something?" Bing asked. "En-o-ess-four-a-two?"
"Nosferatu," The man Charlie Manx said.
"Nosfer-what-who?"

This week I read the novel NOS4A2, a very weird novel wrote by Joe Hill. A quick summary is that a girl named Vic Mcqueen, who has supernatural powers to teleport to “lost things” it’s not explained where these powers came from. The antagonist is manly Charles Manx, a scary killer but also accompanied by a terrifying Christmas themed vampire. Long story short, Vic is a badass biker mom who looks for her son Wayne who was abducted.  I decided on this novel this week because Irma decided to hit, so I went paperback. A very magical experience, and reading a really bizarre book in the middle of a strange storm is a great way to freak yourself out. And yes I still have nightmares of tiny children with hooks for teeth, thanks for that Joe Hill.


If you love comedy, especially dark humor read this wonderful novel.  Also if you like scrabble telling your future, microwaved hotdogs and long bike rides. And if you have no idea what I’m talking about, it’s because this novel is strange even trying to explain it.


Only way to truly understand this wonderful book is reading it, defiantly one of the best novels I’ve read in awhile, and if you like dark fantasy horror, with little twists that are messed up this may be the novel for you. Defiantly amateur, but also I think this represents a movement in horror, it’s uncanny and it’s unique in it’s own way, a breathe of fresh air.

Saturday, September 9, 2017

Week 3: J-Horror: Asian Supernatural Narratives




Week 3: J-Horror: Asian Supernatural Narratives

As October approaches, the theme this week was J-Horror. And if you don’t know anything about J-Horror boy are you missing out. I was SO excited to know my class went over something that is so underrated for how TERRIFYING it is. I still sleep with nightlights after watching The Grudge coming down the stairs or Shutter making me paranoid when I get neck pains. Japanese Scary Stories always had elements that just make it petrifying and it goes above and beyond Western Horror that has felt repetitive and uninteresting these past few years. 
I had to dig through my closet for the mass collection of J-Horror movies and novels rotting away, so let’s begin:



A Wild Sheep Chase by Haruki Murakami, A interesting novel that seems to explore the elements of being alone and being a complete anti-social person and the readers not even knowing the main characters name. I wouldn’t say this is as much of a horror than a mystery and detective novel. I guess being alone, giving up on humanity and being self-centered could be considered unnerving to others. I find the creepiest part about this novel is the feeling of emptiness. Rather than keeping me up at night, it provided more of an eerie feeling that is lingering. I would say that isolation is not a common theme in western horror, but seems to be more common in Japanese horror. The culture is different, and while isolation might not appeal to the mass of the loud and social west, it is scary to our quiet and reserved counterparts.



Another exceptionally well Japanese novel would be Kwaidan: Stories and Studies of Strange Things by Lafcadio Hearn. I watched the original movie back when I was younger containing only 4 out of the 14 stories that are written in this novel. With the imagery still stuck in my mind of the The Woman of the Snow.  An unforgettable scene, I was happy that this was also on the list. Lots of different supernatural beings from this book! Including Oni, Tengu and even Kitsune! This is a good novel for true Japanese folklore and some mythology mixed in. I would even compare this to any vampire or frankenstein creature we have in the west during this time. It has more similarities too, just like western novels they also have stories like “A Passional Karma” that follows the gothic formula. This isn’t necessarily a type of book that might be scary, since it explores more traditional Japanese customs. But definitely the main inspiration for a lot of modern J-Horror.

Moving on from the novels, I think the most important aspect of J-Horror or even Asian Horror is it’s films! These are a treasured part of my childhood, rather than everyone’s fear of zombies or the boogieman, mine was being afraid of woman with long black hair and white dresses.
To this day, I’m still rewatching The Eye, or even the Tomie series. These are seriously scary films, and one of a kind. I also noticed Asian Horror does a lot more body horror than everyone else, which adds more to the creepiness. Like the Slit Mouth Woman or how hair can be used to attack. The most recent in J-Horror, is the Sadako (the grudge) vs Kayako (the ring). A comeback to J-Horror. This recently came out in 2016, and basically two of the most famous supernatural beings “fight”. Sort of like a few years back when we had  Freddy vs Jason Voorhees here in the west.  

Taking in all the aspects of both western and eastern films and novels, elements stay the same like a female protagonist, or a big house with a ghost in it. Or certain “building up” elements, also even some movies are a bunch of short stories themselves! You don’t see this much with American movies. Contrasting this, is the antagonists are almost always female and seeking revenge rather than the usual antagonist male in the west. Usually, you feel bad for these antagonists, because of someone else they are revengeful and are killing relentlessly. They also have some form of moral behind them, If you kill someone they will come back to kill you, or if you do this certain thing you will be cursed. Don’t walk the streets at night, don’t fall asleep on the bus. Don’t let your kids be alone. Usually, they start with the protagonist hearing about it, and knowingly testing said curse. If you’re a fan of Hack and Slash films, this just isn’t for you. Rather than predator or a murderer,  or even a creature. You get a invincible ghost, that “attaches” itself to you. Asian Horror hasn’t lost it’s touch yet, and it still continues to frighten me to this day!